Exhibiting ImageNet

ImageNet is a gigantic archive of images for the visual training of Artificial Intelligences. It is made up of more than 14 million photos, organized into 21,000 categories. This classification work, which attributes a word to each photo, was carried out using Amazon Mechanical Turk, an online platform that out- sources “human intelligence tasks” that machines cannot do. For two years, more than 25,000 workers dedicated them- selves to this mammoth labelling task, at the estimated speed of 2 images per second.

In this work, Nicolas Malevé addresses the conflict between on the one hand, the volume and processing speed of the al- gorithms and, on the other, the conditions of human work that sustain it. For this installation, he has created a script that displays approximately half of ImageNet –about 7 million photographs– during the 25 days of Getxophoto, at a speed of 180 millisec- onds per image. The script randomly stops on some of them to allow slow human intelligence to recognise them. The cat- egories in ImageNet come from WordNet, another database that was later found to classify photos of people with racial and gender biases. The one shown here is the partially edited version.

Nicolas Malevé was born in Brussels in 1969. He is a visual artist, software programmer and data activist who lives and works between Brussels and London. Nicolas received a PhD for his research on algorithms of vision at London South Bank University in collaboration with The Photographers’ Gallery. Since 1998 she has been a member of Constant for Arts and Media of Brussels, an association active in the fields of feminism, copyright alternatives and collaborative practices and the Scandinavian Institute for Computational Vandalism. His research has been carried out through various collaborations with academic institutions such as CRID or Namur, and cultural institutions such as the Centre Pompidou (Paris), the Fundació Tàpies (Barcelona), MUHKA (Antwerp) or the Museo de Antioquia (Medellín). Together with Michael Murtaugh he developed Active Archives, a project in which he experiments with techniques to interact with large collections of visual materials and explore different ways to navigating and questioning them, which has been exhibited at documenta12 (Kassel) or Kiasma (Helsinki), at research events such as Archive in Motion (University of Oslo) or Document, Fiction et Droit (Académie Royale des Beaux-Arts, Brussels) and publications in books edited by MIT Press and Presses Universitaires of Provence.

INDOOR INSTALLATION

9 – NICOLAS MALEVÉ
Exhibiting ImageNet

VENUE: Amezti Hall
ADDRESS: Amezti 6, Algorta